Happiness in Daily Life.
http://www.indigodesignnetwork.org/?p=4653&cpage=1
Tuesday, April 5, 2011
Aboriginal Motifs
Functions and Philosophies.
Principles and protocols.
Respect.
The rights of Indigenous people to own and
control their heritage, including Indigenous
images, designs, stories and other cultural
expressions, should be respected.
Customs and protocols for respect vary widely
across the many and diverse communities of
Indigenous Australian people. Respecting
Indigenous rights to cultural heritage includes
the following protocols.
control over a project will be exercised. This raises the issue of who can represent language groups and who can give clearances of traditionally and collectively owned material. To consult effectively and gain consent for use of Indigenous cultural material in a particular project, the Indigenous people with authority for specific stories, geographic locations, styles and imagery need to be identified. Speaking to the right people is very important. Indigenous communities, whether regional, urban or remote, have an infrastructure of organisations and individuals who can advise on a range of issues – including guidance about locating Indigenous people with authority to speak for specific Indigenous cultural material.
Moral Rights and Issues
When referencing Aboriginal motifs designers should take in consideration the following.
1. Artists have the right to have their name attributed.
2. Artists have the right to have their work wrongly attributed.
3. The right of integrity.
Inappropriate treatment might also include cutting or destroying a physical artistic work or cropping a reproduction of it when reproducing it in a magazine, or reproducing it in poor quality.
Source:
http://www.australiacouncil.gov.au/__data/assets/pdf_file/0004/32368/Visual_arts_protocol_guide.pdf
Principles and protocols.
Respect.
The rights of Indigenous people to own and
control their heritage, including Indigenous
images, designs, stories and other cultural
expressions, should be respected.
Customs and protocols for respect vary widely
across the many and diverse communities of
Indigenous Australian people. Respecting
Indigenous rights to cultural heritage includes
the following protocols.
- Acknowledgement of country.
- Public art - acknowledging land.
- Accepting diversity.
Indigenous control.
Indigenous people have the right to self determination in their cultural affairs and the expression of their cultural material. There are many ways in which this right can be respected in the creation, production and exhibition of art. One significant way is to discuss how Indigenous
control over a project will be exercised. This raises the issue of who can represent language groups and who can give clearances of traditionally and collectively owned material. To consult effectively and gain consent for use of Indigenous cultural material in a particular project, the Indigenous people with authority for specific stories, geographic locations, styles and imagery need to be identified. Speaking to the right people is very important. Indigenous communities, whether regional, urban or remote, have an infrastructure of organisations and individuals who can advise on a range of issues – including guidance about locating Indigenous people with authority to speak for specific Indigenous cultural material.
Moral Rights and Issues
When referencing Aboriginal motifs designers should take in consideration the following.
1. Artists have the right to have their name attributed.
2. Artists have the right to have their work wrongly attributed.
3. The right of integrity.
Inappropriate treatment might also include cutting or destroying a physical artistic work or cropping a reproduction of it when reproducing it in a magazine, or reproducing it in poor quality.
Source:
http://www.australiacouncil.gov.au/__data/assets/pdf_file/0004/32368/Visual_arts_protocol_guide.pdf
Native American Motifs
Syracuse Chiefs
Minor League Baseball - New York
Logo History
 |
1961 - 1979 |
 |
1987 - 1996 |
 |
1997 - 2006 |
Current logo
 |
2007 - Present This is the current logo used for the Syracuse Chiefs. Native American imagery is no longer used as in the earlier versions of the logo. It's design mostly type based with a train illustration. The logo is dynamic the type creates a flowing feel. Both the type and the blue and grey colours represent the vintage looking conductor uniforms The concept behind the logo is that a 'chief' could be a train conductor which is represented by a train. The blue colour represent the old style train conductor uniforms. This is more culturally acceptable than the previous Native American logo. I think the logo works well. Everything looks clean and well produced and I like the way the train connects in with the type. Sources: http://www.chriscreamer.com/ |
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